Monday 25 May 2020

Ageing.



When does a painting need to be finished?





A recent rework

This was ‘finished’ long ago
but it has re-surfaced.

I found it in a crate in my old caravan.

Although the original seascape was ‘ok’
I had got bored with it and wanted to 
change it a little.  Rough it up.

Using some leftover green and blue oils on my palette,
I used a knife to add the paint 
randomly over the surface.

Working quickly without care, a few casual marks
did all I wanted...to make the painting change 
from realism to abstracted.  

I have left it to dry and hung it
in the summer house.



Another ageing painting - 




Reworked many times...
and put aside for months. 

I think it had a few retakes before now
but no images remain of its journey. 


 I was getting itchy fingers.
it was time for a change.



More leftover oil paint.
This time the blue was mixed with yellow
to make these lime greens 

A knife was used to spread the paint over the oranges
quite randomly.  No plan, just play.

I stopped before the green took complete charge.
The orange and red burnt sienna on the frame 
is in harmony with the greens.  

Now it is finished.

I wonder?

It will dry and rest in my studio.


Back to the question...
When does a painting need to be finished?

Dare I say never?
The answer is in the hands of the earthly maker.

I shall go and look for more.   
It’s great fun.



Thank you 
See you next time



Click here for a visit to my website. 





Sunday 24 May 2020

Balancing.




Quiet moments...
a time for contemplation






My days are busy now with the garden
and only short sessions are for painting.

I don’t mind, in fact this strange lockdown
has made me stop and think about my life.



I love painting...I love gardening too,
but my garden had been neglected.


Now there is more balance.



My garden is wild and I love it this way.
So do the birds and lots more wildlife.




A little pool with a dish for bird bathing.




My studio is full of my pictures.
They are my inspiration.



After several weeks of no painting
I decided to make a layered 
picture with bright colours.





It is on a 12 x 16 inch sheet of
Arches oil paper.

I used oils with some cold wax.
Painted quickly it has scratched parts and scribbles.





Zooming into one of the little studies.
The oils look lush and chewy.



The garden is natural and wild...



Soft spring grass and flowers.




Part of a painting 




A likeness to my wild garden?
I think it is...but not really intentional.
Perhaps it lies in my soul.





A chance encounter...
sunlight on the leaning tree






Another chance encounter...
sunlight on an old hen house





Late afternoon,
sunlight on a painting in my home.






Garden and art,
a happy pairing.





My garden and my painting;
both creative, both absorbing.


It’s a good mix...
good for the soul.



Until next time...

Thank you for visiting





Balancing.




Quiet moments...
a time for contemplation






My days are busy now with the garden
and only short sessions are for painting.

I don’t mind, in fact this strange lockdown
has made me stop and think about my life.



I love painting...I love gardening too,
but my garden had been neglected.


Now there is more balance.



My garden is wild and I love it this way.
So do the birds and lots more wildlife.




A little pool with a dish for bird bathing.




My studio is full of my pictures.
They are my inspiration.



After several weeks of no painting
I decided to make a layered 
picture with bright colours.





It is on a 12 x 16 inch sheet of
Arches oil paper.

I used oils with some cold wax.
Painted quickly it has scratched parts and scribbles.





Zooming into one of the little studies.
The oils look lush and chewy.



The garden is natural and wild...



Soft spring grass and flowers.




Part of a painting 




A likeness to my wild garden?
I think it is...but not really intentional.
Perhaps it lies in my soul.





A chance encounter...
sunlight on the leaning tree






Another chance encounter...
sunlight on an old hen house





Late afternoon,
sunlight on a painting in my home.






Garden and art,
a happy pairing.





My garden and my painting;
both creative, both absorbing.


It’s a good mix...
good for the soul.



Until next time...

Thank you for visiting





Saturday 23 May 2020

Showtime





The Lincolnshire Artists’ Society 
Virtual Spring Show
is now online....

I am happy to have my two paintings selected...






I hope you visit the Show and enjoy the art
by members of the Society.


I shall write more later...I am just having a cuppa
after a late night ‘in the office’ bringing 
the Show to the world. 

It was a huge relief to see it go ‘live’ 
without crashing the servers.


Good wishes to all art lovers.

🎨🎨🎨




Monday 18 May 2020

Getting edgy



“Edges... 
the place where one thing changes 
to the next is especially potent”

(by Nicholas Wilton - Artist)



I began thinking about these words
and looked around at some details
of my own paintings.

I found these examples of getting edgy...



Detail of a hard edge...
the bright yellow commands attention




‘Safe Passage’
Oils and cold wax on 36 x 48 inch canvas


Nicholas also reminds us...

“Where that drab grey suddenly shifts 
to bright pink is a visually powerful spot” 





In my painting it is black and green
but visibly powerful, nonetheless. 




Another edge standing its ground...

‘Breath of Winter’

Oils and cold wax on 20 x 20 inch canvas






Edgy and spiky too...

There is something quirky about these shapes.




‘Crossing Borders’

Oils and cold wax on 39 x 39 inch canvas

It is one of my favourite paintings.
It makes me smile each time I walk in my studio. 



Finally...

Where one thing changes to the next,
a detail of a fiery painting.

Abstract shapes which give an impression of a skyline.
The dark against the bright orange and red is especially potent.




Below is the whole painting.




‘Turn up the Heat’

Oils and cold wax on 12 x 12 inch Arches oil paper


Nicholas Wilton is right about using edges for impact...
It’s worth getting a bit edgy.


“Try paying attention to the transitions 
between different areas in your art. 
Make them juicy. In other words, 
let the viewers (and you) feel 
enlivened by change”. 




That’s all for now.
Thank you for visiting my Blog




The view from my Studio




Friday 15 May 2020

Zooming



Close encounters of the imagination



What do you see?

A lot of viewers like to see reality in art
and often ‘see’ things in my pictures.

This close-up detail as I ‘zoomed’ in with my camera
has marks which were not intentionally ‘things’.

Perception is personal.




Marks and scribbles

What does this detail say to you?




And this?....

Zooming in reveals texture.
Working with oils and cold wax I add layer
on layer, often scraping back and scratching.




A picture within...

Small sections of a larger painting
can give me ideas for another piece.

However, this can be frustrating if it doesn’t work
as planned.   My process is spontaneous and
I work quickly...usually allowing the painting
to evolve.   A definite plan to ‘copy’ is not for me. 




So much to see.

This detail of a large painting almost 
reads like a book. 

To me it tells a story of mark-making.
A history of working, re-working and resolution.

What do you find here?


All for now...
Until next time.

Thank you for visiting.




Click here to visit my website 



www.wildartdesigns.com